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In the aftermath of World War II, America stood alone as the world’s premier military power. Yet its martial confidence contrasted vividly with its sense of cultural inferiority. Still looking to a defeated and dispirited Europe for intellectual and artistic guidance, the burgeoning transnational elite in New York and Washington embraced not only the war’s refugees, but many of their ideas as well, and nothing has proven more pernicious than those of the Frankfurt School and its reactionary philosophy of “critical theory.”
In The Devil's Pleasure Palace, Michael Walsh describes how Critical Theory released a horde of demons into the American psyche. When everything could be questioned, nothing could be real, and the muscular, confident empiricism that had just won the war gave way, in less than a generation, to a central-European nihilism celebrated on college campuses across the United States. Seizing the high ground of academe and the arts, the New Nihilists set about dissolving the bedrock of the country, from patriotism to marriage to the family to military service. They have sown, as Cardinal Bergoglio—now Pope Francis—once wrote of the Devil, “destruction, division, hatred, and calumny,” and all disguised as the search for truth.
The Devil's Pleasure Palace exposes the overlooked movement that is Critical Theory and explains how it took root in America and, once established and gestated, how it has affected nearly every aspect of American life and society.
- Sales Rank: #91320 in Books
- Brand: Encounter Books
- Published on: 2015-08-11
- Original language: English
- Number of items: 1
- Dimensions: 9.10" h x 1.00" w x 6.30" l, .0 pounds
- Binding: Hardcover
- 280 pages
- Encounter Books
About the Author
Michael Walsh is a journalist, author, and screenwriter, whose work includes six novels, seven works of nonfiction, and a hit Disney movie. The former classical music critic of Time magazine, he is now a regular contributor of political and cultural commentary to PJ Media and National Review, and an occasional op-ed columnist for the New York Post. Among his awards are the ASCAP-Deems Taylor Award for distinguished music criticism, in 1979, and the American Books Awards prize for fiction for his gangster novel, And All the Saints, in 2004.
Most helpful customer reviews
115 of 122 people found the following review helpful.
Ambitious--But Uneven and Unsatisfying
By Charles
I read this book because it seemed like it would be an interesting companion to James Burnham’s “Suicide of the West.” Burnham’s book explains and analyzes the ideology of American liberalism, circa 1960. “The Devil’s Pleasure Palace” in a sense continues that story; it explains how that liberalism discovered the Critical Theory leftism of the Frankfurt School, and like Gollum discovering the One Ring, did not benefit from the discovery. “The Devil’s Pleasure Palace” is, indeed, somewhat interesting. But it generally fails at explanation and analysis, instead being mostly a rambling diatribe preaching to the converted.
The core of Walsh’s book is an attack upon the Frankfurt School and its “Critical Theory.” The Frankfurt School was a group of Marxist German scholars, many from Goethe University’s Institute For Social Research in Frankfurt, who fled to the US before and after World War II, and then proceeded to repay this country’s generosity by deliberately destroying its culture. These men included Theodor Adorno, Erich Fromm, Max Horkheimer, and Herbert Marcuse. They also include, in Walsh’s telling, indirectly, men like the Communist Antonio Gramsci (famous for calling for a “long march through the institutions,” though he did not use those exact words, to combat bourgeois “cultural hegemony”) and Georg Lukács, the Hungarian Communist (not to be confused with the writer John Lukács). The key principal of the Frankfurt School was that the existing culture of the West must be destroyed and replaced, because it is irrational and oppressive, originating in and containing nothing good.
Walsh’s premise is that the philosophy collectively promulgated by these men, Critical Theory, was a departure from earlier American liberalism, and a pernicious departure, that has since infected all America with its poison. This infection was accomplished through the adoption and application of the Frankfurt School’s social theories by legions of American-born radicals embedded throughout the key institutions of the West. To Walsh, Critical Theory is merely “cultural Marxism.” And, like economic Marxism, its goal is the destruction of the current society and its replacement by something new, better, and totally different. But instead of the workers being the driving engine, the educated classes would be. “They had been let down by the grubby, unwashed workers of the world, who largely rejected the great gift they had been offered; now they would approach their equals in the intelligentsia, a far more receptive and persuadable audience.”
Among other core ideas of the Frankfurt School much in evidence today, for example in the frenzied demands for political correctness on campus and in the workplace, and in reactions to Donald Trump, is Marcuse’s “repressive tolerance”—the idea that real tolerance consists of intolerance of incorrect views. Or, as Wikipedia summarizes the idea, “Revolutionary minorities hold the truth and the majority has to be liberated from error by being re-educated in the truth by this minority. The revolutionary minority are entitled to suppress rival and harmful opinions.” But Marcuse’s idea is only one of many dubious gifts bestowed on modern America by the Frankfurt School—nearly any organized modern attack on American traditions is at least in part a result of the machinations of the Frankfurt School and its acolytes.
While the degree and emphasis of Critical Theory was new in America, and its impact heightened by other cultural changes, the idea that the existing culture must continuously justify itself to reason and be replaced if rationally determined to be deficient, is as old as America, as seen in the debates between Thomas Paine and Edmund Burke. Attempts to undermine and destroy a society’s culture are nothing new in the post-Enlightenment world, though the Frankfurt School has been uniquely successful in having their corrosive ideas adopted through internal corruption rather than imposed by external force or actual revolution. True, what distinguishes adherents of the Frankfurt School is their nihilism, in that they are less interested in what the new society will be than in destroying the old. This is well covered by Walsh, but he does not tie his discussion to longer-term currents of American political thought, which would have made his analysis stronger.
But linear discussion about the Frankfurt School is actually a small part of the book, and not particularly well developed. My summary above is pieced together. The rest of the book is a rambling series of asides relating political points to classical music, H.P. Lovecraft, Milton, movies from Chinatown to “The Wild One,” and numerous operas (the name of the book is from a Schubert opera). Many of these asides are mildly interesting, and what Walsh is trying to do is, through an artistic lens, tie the evils of Critical Theory to its opposition to the traditional “heroic narrative” of the West. However, the net result feels like a fairly confused mishmash—neither political analysis nor clear social commentary. There is certainly no clear exposition and refutation of the Frankfurt School, which is why I read the book to begin with. And, while most of the book is heavily pessimistic, oddly, Walsh concludes his book on an optimistic note. “No political victory is ever permanent,” and Walsh apparently believes that by returning to the heroic narrative and the explication of virtues, American conservatives can ultimately defeat the poison of Critical Theory. He doesn’t really say how, or develop this throwaway optimism, though. It’s just a jarring conclusion to an ambitious, but ultimately largely incoherent, book.
204 of 222 people found the following review helpful.
The cultural collapse of post WW2 America
By Daniel S. Palter
How the Frankfort School ruined everything and how it must be resisted is the basic thesis of the book. I would have preferred a more overtly political critique but this is well worth the read for the underpinnings of what is wrong with the 21st century Atlantic World. Warning: this is a polemic with a definite POV which is traditional Christian in a cultural and sociological sense. If your personal beliefs differ strongly from this you may find the book upsetting as it takes no prisoners.
13 of 13 people found the following review helpful.
An elegantly written and researched book. Utterly refreshing to read.
By AberHerrDoktor
This is an elegantly written book. I really love how he provides connections to European history and arts to provide a contextual background for his points.
My only complaint is that I wish he had taken on the insanity of Critical Theory more aggressively. It has now infected almost every aspect of the social 'sciences' in Universities... from feminist 'theory' and Womens Studies, to African-American/Black Studies, Gender Studies, Latino Studies, Media Studies, etc. And yet, there are few (if any, other than this book) conservative writers really addressing the cultural impact of this kind of Marxist-based philosophy... despite the fact that it is now providing activist groups like Black Lives Matter with the same kind of rhetoric as that used by Black Power groups in the 60s.
Americans are supremely unaware of the negative impact of these Marxist ideas on our modern society. I've known 'activists' in some of these groups personally and watched them organize for 'actions' and protests. They have absolutely NO interest in the traditional values of this country. The ones working behind the scenes of the BLM movement are the same people who were pulling the strings of the Occupy movement after the financial meltdown AND the ones protesting the WTO and IMF before that. Remember the Seattle WTO riots? Same people.
We need an educated citizenry in this country... one that can be informed by research other than what's fed to us by the news and tv shows. This book is one great step towards that goal.
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