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Women's Work: Textile Art from the Bauhaus, by Sigrid Wortmann Weltge
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Profusely illustrated. Includes bibliography, chronology, biographies and index.
- Sales Rank: #727718 in Books
- Brand: Chronicle Books
- Published on: 1993-09-01
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 11.50" h x 9.25" w x 1.00" l,
- Binding: Hardcover
- 208 pages
- Used Book in Good Condition
From Publishers Weekly
Bauhaus founder Walter Gropius and other male leaders of the famous interwar German art school steered women applicants into the weaving workshop because they considered textiles to be "women's work." With designs ranging from severely geometrical to riotously colorful, weavers like Gunta Stolzl, Benita Otte, Anni Albers and Marli Ehrman made the Bauhaus workshop an innovative laboratory which set standards for textile production worldwide. After the Nazis closed the Bauhaus in 1933, its weavers dispersed to Black Mountain College in North Carolina, to California's Pond Farm Community and to the New Bauhaus established in Chicago by Laszlo Moholy-Nagy. Their legacy of free experimentation led to a rebirth of handweaving in the U.S. Beautifully written and illustrated, this study unearths a major chapter in Bauhaus history. Weltge is an art history professor at the Philadelphia College of Textiles and Science.
Copyright 1993 Reed Business Information, Inc.
From Booklist
Most commonly associated with the Bauhaus are the world-famous architects Gropius and Mies van der Rohe and, to a lesser extent, the artists Kandinsky and Klee. Yet Professor Weltge opens up design vistas by capturing the spirit of the school's weaving workshop, one almost exclusively ruled by women in pre-World War II Germany. Interlaced with a thorough explanation of the Bauhaus commitment to the cross-fertilization between art and technology are very human tales: the school's moves from Weimar to Dessau to Berlin, the loss of 20 to 30 artists at Hitler's hands, and the exile to various countries and the subsequent reestablishment of the Bauhaus' ethos in foreign lands. Period photographs, sketches, and surviving textile examples help attest to the Bauhaus' revolution in design, a motif now well appreciated by collectors and professionals alike. Barbara Jacobs
Review
Women's Work is an inspiring book for fiber artists and weavers like myself, and for all women who are striving to advance their work under difficult circumstances. The book is the story of the exquisite textile art from the Bauhaus Weaving Workshop in Germany from 1919 to 1933, and a tribute to these women's work. Whereas early American weavers were mostly housewives who used their craft for their homes and loved ones, the Bauhaus weavers designed fabrics for industry, and their innovations defined standards for modern design. When their workshop was about to close because of the war, they persevered and started a workshop in another country. If it hadn't been for these weavers moving to the United States and other countries, the art of weaving would not be as popular as it is today. All women can learn from these weavers and take strength from the hardships they endured. -- From The WomanSource Catalog & Review: Tools for Connecting the Community for Women; review by Gloria Green
Most helpful customer reviews
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By M. Andersen-Miller
This is a fascinating and thorough account of an under-appreciated subject. Beautifully designed and illustrated.
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